Whatever viewpoint each person may have
about Robert Maxwell, few would dispute he had charisma. Philip
York, looking and sounding uncannily like Maxwell, conveys
brilliantly the sheer power of his personality.
The play leads to the inevitable climax of
Maxwell’s mysterious death by drowning. Philip York toys with the
audience as he outlines the possibilities; murder, due to the many
enemies Maxwell had made; suicide, due to the collapse of his
business empire and the likelihood of imprisonment, or simply an
accident.
Undoubtedly, Maxwell had experienced an
exceptional ‘rags to riches’ life and this is established in the
earlier scenes, during which he is frequently interrupted by
telephone messages. These lead to the illustration of his complex
personality. There is the darker side – the cynicism, arrogance
and opportunism. However, he had been decorated for bravery in World
War II and in his early twenties he had become a skilful and
successful entrepreneur.
The solo performance play can be difficult
to sustain, but not in the case of this production. The tension
builds and builds to hold the attention of the audience to the very
final second.
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