Evita as a musical would not be included in my
top 20. I have seen many other shows I would rather go to and although
could probably provide anyone with 20 or more versions of the number one
song associated with Evita “Don’t Cry for me Argentina” it is my
least favourite number in the whole show.
The 2008 touring production produced and
directed by Bill Kenwright, however is well worth seeing, Edinburgh was
close to the start of the tour and dates are displayed on the Kenwright
website including a two week visit to Glasgow in September.
The set is sumptuous with gliding columns,
sliding staircases and walkways, which despite the superb visual
spectacle are probably relatively simplistic in this day and age of
technically complicated sets. However it is definitely the multi
talented cast who are the shining gems in this visual spectacle.
The ensemble Gemma Atkins, Ellie Baker, David
Burilin, Thomas Camillieri, Errol Clayton, Rebekah Clifford, Steven
Fawell, Susie Griffin, Stuart Hickey, Amira Matthews, Martin McCarthy,
Kara Lane, Chris Palmer, Kieran Snell and Robbie Towns provide an
extremely high standard of performance inviting Nikki Mae as Peron’s
young Mistress, James Waud as nightclub singer Magaldi, Mark Heenehan as
Peron, Seamus Cullen as Che and finally last but not least Louise
Dearman as Eva to project their voices and display there characters
personalities as strongly as possible. As we have said before a strong ensemble usually enhances a
good production and displays the main characters to there best. This
fairly small base unit is augmented for the larger crowd scenes by local
school children and some keen local adults taken from the towns and
city’s they are performing in.
Nikki Mae is making her professional debut as
Peron’s young mistress, in Evita, yet her rendition of ‘Another
Suitcase in Another Hall’ displays not only a lovely voice but both
the vulnerability of the character and the inner strengths of someone
who has been in this position before.
James Waud, also in his first professional
show, as nightclub singer Magaldi. It could be said he was responsible
for the whole Maria Eva Duarte / Evita Peron story having been forced to
take the young Eva to Buenos Aires. James won the Liverpool Echo’s
‘Search for a Star’ competition, backed by Bill Kenwright, to play
this character. Look out
for both Nikki Mae and James Waud in future productions.
Peron himself is played by relative veteran
Mark Heenehan, who has had many parts in the theatre, in straight plays,
musicals, television, films and is also a voice-over artist. This gentle
giant ,he towers over his leading lady, has both a huge voice and stage
presence. Yet it is totally believable that he could fall completely for
the mesmerising charms of his future wife. The character is so cleverly
written and performed that those moments where he disagrees with Evita
become charged with electricity, yet he backs down rather than loose
this woman he is totally obsessed with.
Although Che Guevara and Evita Peron probably
never met Che was a student in Buenos Aires in 1948 and would have been
aware of the politics at the time. His own revolutionary career did not
begin until 1956, after the death of Evita, in Cuba not Argentina. The
use of a Che character as narrator during the musical allowed for a
little more political comment than that of a non-descript persona. In
this production Seamus Cullen is the to me ideal candidate. His stage
presence is superb, his looks ideal and his voice amazing, he is able to
blend into almost invisibility when required yet is also able to take
command of the stage at the perfect moments.
Louise Dearman has the unenviable task in
carrying and displaying the whole gambit of emotions during Evita’s
life. She lays her heart open to all whilst being tough enough for it to
be believable that she could play all these macho men at there own games
and win. She has to develop from a young, bright-eyed daydreaming
teenager to a hard headed woman who knows what she wants and is able to
go and get it despite what others think of her. Yet at the end when she
seems to have everything she wants and illness gets in the way, she is
believable when telling Peron all she really needed in life was love.
Louise is a very experienced actress and I have been fortunate in
seeing her play many varied characters all totally different in many
ways. With bags of ‘it’, whatever ‘it’ is, she is able to
dominate the stage and even I enjoyed ‘Don’t cry for Me
Argentina’.
If you get the chance to see this latest
touring version of Evita do so as I am sure you will enjoy the
spectacle, the set, costumes, direction, choreography, lighting and
musical arrangement all blend together to produce a great show.
The musicians under the watchful eye of musical
director and arranger David Steadman keep the performers tunefully in
cheque.
If Evita is not one of my top 20 musicals why
did I go to see it despite not being in the best of health? Having been
given the opportunity to be taken to see it on its second last night in
Edinburgh I was delighted to go mainly because it is a Bill Kenwright
production, and having followed his productions since the 1980’s when
David Steadman was the MD for “Joseph….etc” and ‘the’ David
Ian wore Josephs loincloth, I knew I was going to see a quality show.
Also thanks to reality TV I watched every episode of the 2007
show “Any Dream Will Do!” on which Bill was one of the judges on the
panel and Seamus Cullen was one of the wannabe Josephs. As soon as I saw
Seamus I knew that although I wanted him to stay on the show for as long
as possible, for me he was not ‘Joseph’ but thought he would make a
perfect ‘Che’! Boy was
I so correct he stole the show for me. I now can not imagine anyone else
in the part! Unfortunately I did not see David Essex in the original
production, but believe Seamus could even give David a run for his
money. The musical number ‘High Flying Adored’ is probably my
highlight of the show and to me it was perfect. To cap it all I met
Seamus after the show and he is as lovely and gentlemanly in the flesh
as he came over as nice on TV. I look forward to seeing him in many
other shows for many, many years to come.
For further information on the Evita tour 2008
and other Bill Kenwright shows go to www.kenwright.com
Photographs of Seamus Cullen and
Mark Heenehan taken by Sheila Kay Jack
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