It is not a necessity to
have seen “Boogie Nights” the original, to understand and enjoy
“Boogie Nights 2”. There are a few references to the original but this show
stands on its own.
It is one of the feel-good
musicals on tour at the moment and for those who lived their
formative years in the 80’ or those who love and enjoy 80’s
music, this is a must see. Not
just to see the superb and still sexy David Essex playing Saint
Peter, if this is the look of a typical angel I certainly will
enjoy going to heaven when the time is right.
As Saint Peter David is helping the tearaway hero of the show
Roddy find his path in life or the hereafter. We get to see David
perform and hear him sing and it is easy to see he has not lost
any of his charisma and stage presence he is wonderful to watch
and listen to. A
superb cast and an interesting set design along with a plethora of
interesting costumes and many comedy moments surround him.
Mark Jones has the
unenviable task of following in the footsteps of Shane Richie, the
original Roddy, for whom ‘Boogie Nights’ was originally
written, then the gorgeous Sam Kane who did the 2003 tour with
Sophie Lawrence as his leading lady Debs. Mark certainly stamps
his own personality on Roddy, adding touches showcasing his vocal
ability as well as his comic talents and mimicry.
Sophie Lawrence as Debs
develops the character she first played in the 2003 tour and takes
her on 10 years. Sophie best known for her role in Eastenders
sings and dances beautifully the only disappointment in the show
was the recreation of the lift from ‘Dirty Dancing’ which she
successfully did with one of the dancers and not Roddy!
The parts of Terry and Trish
were not played by Scott Robinson (ex 5ive) and Emily Mascarenhas
but extremely well by the understudies Andrew Rees and Sarah
Kitson. Had it not been for the pre-show announcement I wouldn’t
have known any better. They
both seem to be totally at home in the characters, both move and
sing well. I was occasionally aware of Andrew doing more dancing
than was strictly necessary for the character.
Sophie was not the only
member of the 2003 cast to continue in character as both Don Crann
as Roddy’s dad Eamon and Joe Speare as Roddy’s partner Spencer
have been in previous tours of the original ‘B N’.
Although I hadn’t seen Don before I love his portrayal of
the Elvis worshiping, over drinking, doting father of Roddy. He in
a way is the voice of both reason and conscience.
He doesn’t get to
sing very much but you find yourself sitting up and listening when
he dose. I’m not sure if Elvis visits earth from time to time
but part of him lives on in Don and the character of Eamon.
Joe Speare was Spencer in
the 2003 tour along with Sophie and his character has developed in
to the baddie of the show. This you forgive him for as he has
phenomenal stage presence and a voice which has an amaising range.
His rendition of ‘Relax’, ‘Thriller’ and ‘Night
Clubbin’ all display his abilities beautifully.
As with most good musicals
it is the sum of all the parts together which add up to an
enjoyable and exciting evening. The clever writing, choice of
musical numbers, choreography, sets, costumes, an exciting if
small band, lighting, stage crew and finally yet most importantly
an extremely talented cast who gel together and produce the final
work.
Your eyes are drawn all over
the place and everyone in the audience had a fantastic time. Most
of us wanted to go back and see the show again. I must mention
Barry Hester whose talents brought us both Bob Geldof and Margaret
Thatcher as well as several other comical moments.
Thank you to everyone
involved and I look forward to seeing you all again as I will take
the opportunity to go to see the show again if given the chance.
Jon Conway is the creator of
Boogie Nights the 70’s and Boogie Nights 2 the 80’s, whether
he can take it into the 90’s is yet to be seen but lets hope he
tries.
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