It is difficult to denounce anyone such as Jason Byrne with the immense
social skills needed to stand on stage and create laughter.
By placing themselves in the limelight and opening the way for
appraisal, comedians almost encourage an audience to pass judgement on
their performance and engage in constructive criticism.
In this way it is easy to lose sight of the rush of endorphins
that a comic such as Jason gives to his audience.
Psychologists may help us deal with issues, medics put us back
together again, drugs can help us forget, but the only two things in
life that can make us feel truely amazing are love and a good laugh.
From a personal standpoint perhaps
Jason Byrne lacks the depth and sentimentality of a favourite comedian,
but if a good grumble over life’s frustrations is what is required
then Jason should be highly recommended.
Based
around his injuries and accidents both recent and as a child, his
performance is packed full of energy and enthusiasm, and he creates
those all-important images in the minds of his audience with great
skill. There is perhaps a
section in the centre where his anecdotes become rants, and he may
divide his audience with a few themes, but having lifted the mood from
the beginning with stories of his special eye he is easily forgiven, and
he ends on a very high note with tales of his young children and a
hilarious audience-led magic trick.
Jason is a great entertainer, he draws in the crowd and creates
uproar with his impromptu reactions to audience members, definitely worth seeing once, but maybe, just maybe doesn’t create the connection
that leaves an impression, pulling you to the box office for a second
round.
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