Janey Godley has lived a hell of a life.
It’s not the sort you would envy of someone yet Janey is a
master, or should that be mistress, at turning what could be
considered tragedy into genuine comic laughs.
The topic this year is domesticity – and
Godley’s apparent lack of it.
This allows her to recount memories of her murdered mother,
also allowing us an insight into a side of Glaswegian life that many
will not have experienced. It may seem like a bit of a rambling rant but there’s
structure to be found as well as links to truths universally
acknowledged by this audience.
Aside from the main act Godley is very
concerned with making the most out of her audience and ensuring
their comfort throughout. It
is probably this, sometimes terrifying, tenderness which keeps the
audience coming back year after year.
It should be noted, however, that she does take this audience
consideration seriously and as such has implemented an age
restriction of 16 or over on her act, feeling some of it is
unsuitable for younger lugs.
Whilst standing in the queue waiting to go
in it became clear that the audience for tonight’s performance was
made up of people who had seen Godley before.
This is surely an indication of her ability to deliver laughs
again and again. Since
Godley has not shelled out for PR this year I hope these people
spread the word as newcomers deserve a glimpse into Janey’s
fascinating, harrowing, tender and hilarious life story.
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